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I found this photograph,
Underneath the broken picture glass
Tender face of black and white,
Beautiful, a haunting sight
Looked into an angel's smile,
Captivated all the while
From the hair and clothes she wore,
I'd place her in between the wars
Was she willing when she sat
And posed the pretty photograph?
Save her flowering and fair,
The days to come, the days to share
A big smile for the camera,
How did she know?
The moment could be lost forever
Forever more
I found this photograph,
Stashed between the old joist walls,
In a place where time is lost,
Lost behind, where all things fall
Broken books and calendars,
Letters script in careful hand,
Music too, a standard tune by
Some forgotten big brass band
From the threshold what's to see
Of our brave new century?
The television's just a dream,
The radio, the silver screen
A big smile for the camera,
How did she know?
The moment could be lost forever
Forever more
Was her childhood filled with rhymes,
Stolen hooks, impassioned crimes?
Was she innocent or blind
To the cruelty of her time?
Was she fearful in her day,
Was she hopeful, did she pray?
Were there skeletons inside,
Family secrets, sworn to hide?
Did she feel the beat that stirs,
The fall from grace of wayward girls?
Was she tempted to pretend,
The love and laughter, 'til the end?
love this marvelous song...
Time flies when we're having fun... love it...
The first time I heard this song was in the late 90's when the rabid fervor I'd developed in the process of re-discovering REM in the early 90's had died. From 1992 or so up until 1994 I'd literally gone a little crazy obsessing over the arc of REM's career from "Reckoning" up through "Green". I began to feel as though "Out of Time" and "Automatic for the People" were the warning signs of a shift witnessed from Monster onward that made sense to the band but left me pining for the older stuff. Then suddenly I hear "Photograph" and it was like going back in time. I was utterly floored - it was as if my favorite band had been resurrected, if only for a few minutes. And Natalie's voice fit SO well for me. Loved it then, love it now - I feel an inexplicable pull into the more poignant moments of my own, the South's, and the country's past every time I hear it. For those 3 minutes I am lost to that amazing short story. And all because I for whatever reason elected to purchase this obscure compilation.
I was about to write the exact same thing. Tks for saving me the effort. Great post!
(Well maybe Jethro Tull and The Moody Blues or Wilco and the Grateful Dead now that I think about it.)
Funny - Wilco and the Dead sounds like it could be a really good idea to me. Not so sure about the Moodies and Tull but I'd at least listen. I'm curious - what combinations would you actually recommend, then?
Natalie Merchant, Billy Bragg, Michael Stipe, Peter Jenner By northforksound
https://www.flickr.com/photos/26412141@N05/
howard thompson/northforksound.com
9.30 Club, Washington DC
photo: ht
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Natalie Merchant and Michael Stipe singing together "Hello in there", a classic of John Prine, at March 1990 in Glasgow.
Yep. They are evidently very good friends. When I was living in Athens, GA in the mid-to-late 80s, I used to see them together frequently. Often, Stipe would be hanging out at Ruthless Records (now out-of-business) where he would work the counter and help clients. Natalie was there on occasion with him. Since I am an avid fan of their work, it was a bit of awesome that they were just trying to be regular folks. Athens was awesome back then....not sure what it is like these days but I would move back there tomorrow if I could...
p.s.
The original release date for this tune was 10/26/1993 on Rycodisc.
Way back in the day, 10,000 Maniacs opened for REM (can't remember which tour it was right now). Anyway, a good friend of mine saw them at Clemson, SC and afterwards ran into both of them at an intown bar. Talked to them for a while too. One of the incredible concert evenings of his life...still talks about it today.
The first time I heard this song was in the late 90's when the rabid fervor I'd developed in the process of re-discovering REM in the early 90's had died. From 1992 or so up until 1994 I'd literally gone a little crazy obsessing over the arc of REM's career from "Reckoning" up through "Green". I began to feel as though "Out of Time" and "Automatic for the People" were the warning signs of a shift witnessed from Monster onward that made sense to the band but left me pining for the older stuff. Then suddenly I hear "Photograph" and it was like going back in time. I was utterly floored - it was as if my favorite band had been resurrected, if only for a few minutes. And Natalie's voice fit SO well for me. Loved it then, love it now - I feel an inexplicable pull into the more poignant moments of my own, the South's, and the country's past every time I hear it. For those 3 minutes I am lost to that amazing short story. And all because I for whatever reason elected to purchase this obscure compilation.
Very well said...
The first time I heard this song was in the late 90's when the rabid fervor I'd developed in the process of re-discovering REM in the early 90's had died. From 1992 or so up until 1994 I'd literally gone a little crazy obsessing over the arc of REM's career from "Reckoning" up through "Green". I began to feel as though "Out of Time" and "Automatic for the People" were the warning signs of a shift witnessed from Monster onward that made sense to the band but left me pining for the older stuff. Then suddenly I hear "Photograph" and it was like going back in time. I was utterly floored - it was as if my favorite band had been resurrected, if only for a few minutes. And Natalie's voice fit SO well for me. Loved it then, love it now - I feel an inexplicable pull into the more poignant moments of my own, the South's, and the country's past every time I hear it. For those 3 minutes I am lost to that amazing short story. And all because I for whatever reason elected to purchase this obscure compilation.
Yep. They are evidently very good friends. When I was living in Athens, GA in the mid-to-late 80s, I used to see them together frequently. Often, Stipe would be hanging out at Ruthless Records (now out-of-business) where he would work the counter and help clients. Natalie was there on occasion with him. Since I am an avid fan of their work, it was a bit of awesome that they were just trying to be regular folks. Athens was awesome back then....not sure what it is like these days but I would move back there tomorrow if I could...
p.s.
The original release date for this tune was 10/26/1993 on Rycodisc.
As for Athens now, still a great town. have been here for 13 years and still love it. don't see stipe around much anymore, but now and again. he sometimes brings great folks with him, like thom yorke.
(Well maybe Jethro Tull and The Moody Blues or Wilco and the Grateful Dead now that I think about it.)
Well, I quite like it. Actually I wouldn't mind hearing the combos you suggest! To each their own..
wonderful visual image - Michael Stipe using a keyboard to beat back an attacking Brett Michaels.
Shoot me now.
Yep. They are evidently very good friends. When I was living in Athens, GA in the mid-to-late 80s, I used to see them together frequently. Often, Stipe would be hanging out at Ruthless Records (now out-of-business) where he would work the counter and help clients. Natalie was there on occasion with him. Since I am an avid fan of their work, it was a bit of awesome that they were just trying to be regular folks. Athens was awesome back then....not sure what it is like these days but I would move back there tomorrow if I could...
p.s.
The original release date for this tune was 10/26/1993 on Rycodisc.
(Well maybe Jethro Tull and The Moody Blues or Wilco and the Grateful Dead now that I think about it.)