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I have dreaded the coming of
For so long
I wait for the sun
To remind my body
It needs restin'
And I must learn to "live" without you now
I must learn to give only part some how
Camping on the edge
Of your city I wait
Hoping someday
You might
See
Beyond yourself
The shadows on the ceiling
Hard
But not real
Like the bars that cage
You within yourself
And I must learn to live without you now
I must learn to give only part some how
And I must learn to without you now
As I cannot learn to give only part some how
All of these cages
Must
And shall be set aside
They will only
Keep
Us from the knowing
Actors
And stages
Now fall before the truth
As th love
Shared
Between us
Remains
...Growing
And I must learn to live without you now
As I cannot learn to give only part some how
Agreed. Purchased it just a few years ago and still love pretty much everything on it
Each of the 4 sides was a different style of music, if memory serves.
the show I saw at Meriweather Post Pavilion in Maryland had opening act Joe Walsh and group.
Stills came out as an intermission type act between headliners, pulled up a chair and started playing acoustic for awhile. Then invited his neighbor and friend Walsh out to jam.
Without a doubt some of the finest guitar playing I've been privileged to ever see and hear.
Then throw in Stills with Manassas ( a super group in and of itself) and man - was that a show.
Pure Gold
Wow. God...I wish more bands had this kind of attitude.
the show I saw at Meriweather Post Pavilion in Maryland had opening act Joe Walsh and group.
Stills came out as an intermission type act between headliners, pulled up a chair and started playing acoustic for awhile. Then invited his neighbor and friend Walsh out to jam.
Without a doubt some of the finest guitar playing I've been privileged to ever see and hear.
Then throw in Stills with Manassas ( a super group in and of itself) and man - was that a show.
Pure Gold
I am holding my throat and wretching in a pure, unabating ragged rage of jealousy...a toxic shade a green I turn at the thought. How I envy your good fortune
Most defiantly is
thanks
the show I saw at Meriweather Post Pavilion in Maryland had opening act Joe Walsh and group.
Stills came out as an intermission type act between headliners, pulled up a chair and started playing acoustic for awhile. Then invited his neighbor and friend Walsh out to jam.
Without a doubt some of the finest guitar playing I've been privileged to ever see and hear.
Then throw in Stills with Manassas ( a super group in and of itself) and man - was that a show.
Pure Gold
A good ol' Stills track - one of the ones I liked most on this album (preferred his first solo LP more, myself). But this is one I used to play on my college radio station. And, to me, it's always a treat to hear Jerry Garcia playing pedal steel - his work as a sideman on the albums of others (David Crosby, for example) playing pedal steel augments what little we got from his tenure with New Riders of the Purple Sage. I'm no country guy and would never pass myself off as a connoisseur of this instrument, but I always absolutely loved Garcia's take on the instrument. Just a little different (check out 'Dirty Business' from the first NRPS album for a good example of what I mean). Tasty on this tune, too, IMHO.
OK, 2.5 years late to respond. I completely agree with you about Garcia's approach to pedal steel. It always stands out as his work alone. I suppose one could find stylistic similarities with his guitar playing, but he seems to have approached the instrument very differently. It works beautifully in the background and as a solo instrument. You are right about Dirty Business (down in Cold Creek, I reckon). Saw NRPS with the Dead in 1971, near the end of his gig with the group. Can't remember much of it today...
What an underrated album this is.
One of my all time favorites.
I even had it on 8 track.
I covered all modes.
I bought a cassette deck after hearing this on a friends' cassette player (I had 8-track only at the time). I think this cassette thing might catch on.
I even had it on 8 track.
I covered all modes.
Bonnie Raitt
Sigma Sound Studios
Rainbow Room, WMMR
Philadelphia, PA, US
February 22, 1972
Band Info:
Bonnie Raitt - Guitar, piano, vocals
Dan (Freebo) Freeberg - Bass
T.J. Tindle - Guitar, harp
John Davis - Harp
Crosby, Stills & Nash Acoustic Concert
1991, Stephen's Solo performance
"This is effin' brilliant! Stephen Stills has the sexiest voice ever in rock music (or any music) - a fitting gift for this compassionate humanitarian and maestro guitarist..." mmelindam
Well you better not listen to "Jesus Gave Away Love for Free" off of this album.
You'd go into countifried shock.
What a great albun.
Love the Chris Hillman influence on it.
Really like "Both of Us (Bound to Lose)".
A good ol' Stills track - one of the ones I liked most on this album (preferred his first solo LP more, myself). But this is one I used to play on my college radio station. And, to me, it's always a treat to hear Jerry Garcia playing pedal steel - his work as a sideman on the albums of others (David Crosby, for example) playing pedal steel augments what little we got from his tenure with New Riders of the Purple Sage. I'm no country guy and would never pass myself off as a connoisseur of this instrument, but I always absolutely loved Garcia's take on the instrument. Just a little different (check out 'Dirty Business' from the first NRPS album for a good example of what I mean). Tasty on this tune, too, IMHO.
TheJack wrote:
Yeah, like all those other guys back in the day, i.e. Hendrix, Clapton, Townshend, bunch of pikers!!
BTW, Steve is DEFINITELY the best guitar player in CSN&Y. Sorry, but that's not even open to discussion.
I love Graham, David, and Niel. I'm just saying.
The most underrated of the four by a long shot.
You must mean one of the most under-rated ever....... Steven Stills is a true genius. He has very few peers within his genre, IMHO.
This is just one of his many, many unique gems.