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Length: 4:09
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You hear the work bell ring
And they march you to the table
To see the same old thing.
Ain't no food upon the table,
And no fork up in the pan;
But you better not complain, boy,
You get in trouble with the man.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a ever-lovin' light on me.
Yonder come Miss Rosie,
How in the world did you know?
By the way, she wears her apron,
And the clothes she wore.
Umbrella on her shoulder,
Piece of paper in her hand.
She come to see the gov'nor,
She wants to free her man.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a ever-lovin' light on me.
If you're ever in Houston,
Well, you better do the right,
You better not gamble,
Yeah, you better not fight at all.
Or the sheriff will grab ya,
And the boys will bring you down.
The next thing you know, boy,
Oh, you're prison bound.
Oh, let the midnight special
Shine a light on me.
Let the midnight special
Shine a light on me.
Oh, let the midnight special
Shine a light on me.
Let the midnight special
Shine a ever-lovin' light on me.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a light on me.
Let the midnight special
Shine a ever-lovin' light on me.
I too get this mental image when listening to this tune now.
Yep, Twilight Zone for me too. Also it's cool that this is one of those songs that synch up with the dancin' banana!
Although been listening to this since it was new, the visual images I associate with this song are from the scene in the ambulance in Twightlight Zone, the Movie.
I too get this mental image when listening to this tune now.
YESH!!!!!!!!
Although been listening to this since it was new, the visual images I associate with this song are from the scene in the ambulance in Twightlight Zone, the Movie.
For what it's worth, I had a submarine buddy from Lancaster, CA, who sounded WAY more hick than I do — and I grew up in SC and GA. Perhaps it's more about rural (or boondocks) rather than north/south/east/west.
Thanks for posting this. Fogerty, besides being a rock'n'roll badass, is sometimes portrayed as a poseur—mostly because of all those southern affectations. He and the rest of CCR were born and bred in the Bay Area (Emeryville). I don't think Fogerty gets enough credit for his amazing sense of American musical idioms. "Midnight Special" is but one example. After all, Clapton, Richards, and Mayall did the same thing, and we lionize them—and they're British!
I guess some people did criticize these guys because they were not "authentic" southern/bayou or whatever, but overall, I think most listeners didn't mind, just as with those English fellows you mentioned. Besides, was there a traditional or regional "Northern California sound" that Fogerty could have employed instead?
Thats the point, but I respect your opinion
<snip>
" "Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South.<The title comes from the refrain which refers to the Midnight Special and its "ever-loving light" (sometimes "ever-living light").
- Let the Midnight Special shine her light on me,
- Let the Midnight Special shine her ever-loving light on me. (Traditional)
The song is historically performed in the country-blues style from the viewpoint of the prisoner. The song has been covered by many different artists.
<snip>Thanks for posting this. Fogerty, besides being a rock'n'roll badass, is sometimes portrayed as a poseur—mostly because of all those southern affectations. He and the rest of CCR were born and bred in the Bay Area (Emeryville). I don't think Fogerty gets enough credit for his amazing sense of American musical idioms. "Midnight Special" is but one example. After all, Clapton, Richards, and Mayall did the same thing, and we lionize them—and they're British!
Thank you for your vote. It's important! (I'm not being snarky here - it's good that you made your dislike known.) I like JF and CCR, in a blanket sort of way. You like Aretha's "Think" and Joni Mitchell's "Hejira," so you're SO cool in my book. I love RP because of the variety of music we get to hear here.
I remember when I was still a teenager, and staying up for the Midnight Special (with Wolfman Jack and all manner of acts) was my guilty pleasure. I wish those days could come back, just like they were, and not like they'd be once the networks got their hooks into them. I love to live in the past, because the present is just so UGLY.
Creedence Clearwater Revival by The Boy With The Blues
https://www.flickr.com/photos/guitarreos/
Un grupo clave en el desarrollo de la historia del rock.
Conocido por muchos como el mejor grupo de singles, Creedence sigue siendo hoy en día una de las bandas referente a nivel mundial para muchos jóvenes y grupos nuevos. Además, sus canciones se siguen pinchando en las radios como seguro de éxito.
Riffs de guitarra contundentes, voces con potencia, melodías hermosas y capaces de hacerte levantar del asiento... Lo dicho, fundamentales. América les debe muchísmo; ellos son América
All rights reserved.
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" "Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South.<The title comes from the refrain which refers to the Midnight Special and its "ever-loving light" (sometimes "ever-living light").
- Let the Midnight Special shine her light on me,
- Let the Midnight Special shine her ever-loving light on me. (Traditional)
The song is historically performed in the country-blues style from the viewpoint of the prisoner. The song has been covered by many different artists.
Lyrics appearing in the song were first recorded in print by Howard Odum in 1905
The song was first commercially recorded on the OKeh label in 1926 as "Pistol Pete's Midnight Special" by Dave "Pistol Pete" Cutrell (a member of McGinty's Oklahoma Cow Boy Band).
Sam Collins recorded the song commercially in 1927 under the title "The Midnight Special Blues" for Gennett Records. His version also follows the traditional style. His is the first to name the woman in the story, Little Nora, and he refers to the Midnight Special's "ever-living" light.
In 1934 Huddie William "Lead Belly" Ledbetter recorded a version of the song at Angola Prison for John and Alan Lomax, who mistakenly attributed it to him as the author. However, Ledbetter, instead, for his Angola session, appears to have inserted several stanzas relating to a 1923 Houston jailbreak into the traditional song. Ledbetter recorded at least three versions of the song, one with the Golden Gate Quartet, a slick gospel group (recorded for RCA at Victor Studio #2, New York City, June 15, 1940).
John and Alan Lomax, in their book, Best Loved American Folk Songs, told a credulous story identifying the Midnight Special as a train from Houston shining its light into a cell in the Sugar Land Prison. They also describe Ledbetter's version as "the Negro jailbird's ballad to match Hard Times Poor Boy. Like so many American folk songs, its hero is not a man but a train." The light of the train is seen as the light of salvation, the train which could take them away from the prison walls. It is highly reminiscent of the imagery of such gospel songs as Let the Light from your Lighthouse Shine on Me. Carl Sandburg had a different view. He believed the subject of the song would rather be run over by a train than spend more time in jail.
The song, as popularized by Ledbetter, has many parallel lines to other prison songs. It is essentially the same song as "De Funiac Blues," sung and played by Burruss Johnson and recorded by John Lomax at the Raiford State Penitentiary in Florida on 2 June 1939. Many of the lines appear in prison work songs such as "Jumpin Judy," "Ain't That Berta," "Oh Berta" and "Yon' Comes de Sargent." These songs, including Ledbetter's "Midnight Special." are composite. They mix standard prison song verses indiscriminately. Many of these component pieces have become canonized in the blues idiom and appear in mutated forms regularly in blues lyrics.
Other versions by The Beatles, Burl Ives, Johnny Rivers, Big Joe Turner, Creedence Clearwater Revival, Mungo Jerry, Van Morrison, Odetta, Sonny Terry & Brownie McGhee, Little Richard, Leadbelly, Buckwheat Zydeco, Pete Seeger, Otis Rush, The Kingston Trio, The Spencer Davis Group, Lonnie Donegan, Eric Clapton, Harry Belafonte, Big Bill Broonzy, Ursa Major, Paul McCartney and ABBA, among others, have recorded the song.
Bob Dylan references a line from the song - "shine your light on me" - on the second track, Precious Angel, of his late 70s gospel album Slow Train Coming. " in Wikipedia
C.C.R.
Ho hum indeed.
So you like the bar vomit in the evening then? Something about pretentious bozos, who think they're clever, always seems to nauseate me.
This song is so good for the ears...
Oh yes .. ;) + 100
Let the Midnight Special shine a light on me,
Let the Midnight Special shine a light on me,
Let the Midnight Special shine a light on me,
Let the Midnight Special shine a everlovin' light on me.
Love it!
CCR CCR CCR CCR!!!!!!
https://www.youtube.com/watch?v=08YxwTzPwBQ
This is what I think of^
Every time I hear it I think of the hilarious—and then scary opening scene of "The Twilight Zone" movie with Dan Ackroyd and Albert Brooks.
anyone?
Edit: I stand corrected, regarding the origins of the song. Like all the truly great folk songs, this one has a rich, convoluted history. Leadbelly, like CCR, was just another link in the chain.
Nobody can eat 50 EGGS!!
This is the worst song on a great album!!!
So it's the least great of that lot!
8 rate fits, almost 9 when the mood is right, maybe +1 after watching "The Twilight Zone" movie finally.
LLRP