Avg rating:
Your rating:
Total ratings: 2185
Length: 4:56
Plays (last 30 days): 1
And stopped
Still
It was just so beautiful
It was just so beautiful
It was just so beautiful
This is where the shadows come to play
'Twixt the day
And night
Dancing and skipping
Along a chink of light
Somewhere in between
The waxing and the waning wave
Somewhere in between
What the song and silence say
Somewhere in between
The ticking and the tocking clock
Somewhere in a dream between
Sleep and waking up
Somewhere in between
Breathing out and breathing in
Like twilight is neither night nor morning
Not one of us would dare to break
The silence
Oh how we have longed
For something that would
Make us feel so...
Somewhere in between
The waxing and the waning wave
Somewhere in between
The night and the daylight
Somewhere in between
The ticking and the tocking clock
Somewhere in between
What the song and silence say
Somewhere in between
Breathing out and breathing in
Goodnight sun
Goodnight sun
Goodnight mum
You know, you pretty much wouldn't put on Another Green World in the background, or pick out a single song and suddenly go "wow! what a great album!"
The Aerial album is like that. The whole first disc is unimportant, really, except for folks who wish for singles. She did this on Hounds of Love: single songs, and then the other side of the vinyl was a song suite about drowning. The second CD of Aerial is a single concept, and it's a tough one:
She's content. This is the antithesis of rock n roll, which is about angst and desire and dissatisfaction.
So, it's a song cycle about the day, beginning in the early morn and ending after the sun has set (and the dreamers start their dreaming).
Taken out of the context, it's not as obviously good, but that's where this comes from. It's a subtle, nonconfrontational, meditation on how happy she is.
Thanks for the explanation. Probably would have enjoyed it without your pretentious babbling.
I want to have a reason to speak these lyrics sometime in my life:
...This is where the shadows come to play
'Twixt the day And night...
I know just the spot in southern Lumpkin County, and -- in your honor, idiot_wind -- will quote those lyrics towards the mountains at sunset.
this song title is perfect for the song
Was Kate Bush another Peter Gabriel discovery? I've vaguely remember PG helped promote her in the '80's.
No, in fact she was a discovery of David Gilmour (Pink Floyd guitar). He saw something in her and introduced her to the right people.
I can’t bear her voice. Not sure why.
Well, I have the same problem with Joni Mitchell's voice. I don't disagree that she's a great talent with a beautiful voice, except it makes me cringe.
Kate Bush, though, at least on the songs I enjoy (like this one), is a bit of Heaven, IMHO.
he contributed or played on most of her albums.
No, he did not. Check the notes. Gilmore got her in front of record executives. He played on a couple of early tracks. That was about it.
Check out Pi from Aerial. She does numbers.
Wuthering Heights
And still not in the Rock And Roll Hall of Fame ?
That's no great loss to her. Vastly overrated honor. Rock music is about rebellion among other things which is at odds with being honored in a hall of fame. Her peers for the most part respect her work already.
I'm sure the museum is excellent however.
That's the spot to be.
Kate gets it.
Great comment.
he contributed or played on most of her albums.
I thought it would be strange if that somehow escaped me all these decades... Truth is Gilmour was exec producer of two tracks on her first album (Kick Inside). He sang background vocals on one track on The Dreaming. He played guitar on two tracks of Sensual World... so just a few contributions on three of eleven albums. He helped get her started in the record industry, but once she had hits on her first album that was the end of it. From very early in her career, she took full control of her music. She's had her own trajectory on her own terms in her own time.
...This is where the shadows come to play
'Twixt the day And night...
Get Out of My House
Gilmour helped her get started, but I've never heard he helped her throughout her career.
he contributed or played on most of her albums.
My favorite experience listening to this was on a drive out to Pt Reyes CA with a good friend.
But then, maybe I like Kate Bush because David Gilmour has helped her throughout her career. I seem to like anything Gilmour does.
Get Out of My House
Gilmour helped her get started, but I've never heard he helped her throughout her career.
Well one reason: differentiate the product, reach more listeners and make more money.
That's the spot to be.
Kate gets it.
The Aerial album is like that. The whole first disc is unimportant, really, except for folks who wish for singles. She did this on Hounds of Love: single songs, and then the other side of the vinyl was a song suite about drowning. The second CD of Aerial is a single concept, and it's a tough one:
She's content. This is the antithesis of rock n roll, which is about angst and desire and dissatisfaction.
So, it's a song cycle about the day, beginning in the early morn and ending after the sun has set (and the dreamers start their dreaming).
Taken out of the context, it's not as obviously good, but that's where this comes from. It's a subtle, nonconfrontational, meditation on how happy she is.
Kate is releasing a re-mastered edition of this album as well as her other albums this month. Vinyl and CD version boxes.
Thought you should know.
She may not be Rihanna or Shakira, but who hasn't heard Cloudbusting or Running Up That Hill? Well, given you were born at the time.
Yup, but she won't let him. Which is fine. She has always tried to stay in control of her music.
word.
Ditto.
what insight! lol man I wish I could see her in concert!
And still not in the Rock And Roll Hall of Fame ?
I made a single CD version for myself, trimming the "washing machine" song and what I call the "laughing with birds" song.
Yes, but only dogs can hear the first five.
Yes, but only dogs can hear the first five.
But then, maybe I like Kate Bush because David Gilmour has helped her throughout her career. I seem to like anything Gilmour does.
I'm going to listen to Aerial again, I'm sure it'll grow on me now that some time has gone by...
Took a bit, but Ariel certainly grew on me! Kate is wonderful.
I'm going to listen to Aerial again, I'm sure it'll grow on me now that some time has gone by...
Hate to admit it, but I think I really enjoyed that album.... Ok, I am going to say I like a lot of George Michael's stuff. Head down, walk off stage left, never seen again.....
Given your RP birth date of May 19, 2013, it's a wonder that you've ever heard of anyone, "unclehud"! :-)
This just isn't for me, I guess.
I agree completely. Add slightly disturbing to the list, too.
Nous sommes allés au sommet de la colline la plus haute
Ou nous nous sommes arrêtés
Tranquilles C’était tellement beau
C’était tellement beau
C’était tellement beau Voila le lieu ou les ombres viennent pour jouer
Entre le jour
et la nuit
Dansantes et bondissantes
En interstice de lumière Quelque part entre
La montée et le déclin de l'onde
Quelque part entre
Ce que le chant et le silence disent
Quelque part entre
Le tic et le tac de l'horloge
Quelque part dans un rêve entre
Sommeil et réveil
Quelque part entre
Expirer et inspirer
Comme le crépuscule n'est jamais ni la nuit ni le matin
Pas un seul d'entre nous n'aurait oser briser
Le silence
Oh combien avons-nous désire
Quelque chose qui nous ferait
Sentir si
Quelque part entre
La montée et le déclin de l'onde
Quelque part entre
La nuit et le plein jour
Quelque part entre
Le tic et le tac de l'horloge
Quelque part entre
Ce que le chant et le silence disent Quelque part entre
Expirer et inspirer Bonne nuit soleil*
Bonne nuit soleil Bonne nuit Maman *en Anglais la prononciation de sun, le soleil, ressemble a son, le fils
7 8
Wordless and with all
Where are we to live our lives
The song in our souls.
7 8
Yep. Somewhere between the tick and the tock of the clock there is genius....She found it.
"So we tanned his hide when he died, Clyde, and that's it hanging on the shed..." Harris is 82, still mostly insane, and doing quite nicely, thenkew.
R.I.P. Ann.
Just what I was thinking ...
Thanks, guys, for the tip . . .
ROLF HARRIS?? I thought he died years ago. ("Tie me kangaroo down, sport - tie me kangaroo down...")
He never died. After being attacked by a rabid kookaburra whilst going on middle-aged walkabout in the Oz outback and on the brink of a pointless and bizarre death he was saved by his mystical didgeridoo which transformed him into one of the undead, forever wandering the earth crying plaintively "Can you see what it is yet? Can you see what it is yet?" and wobbling his wobbleboard. That's why he appeared on this album, because as a zombie he's royalty-free.
I never did quite figure why he wanted the kangaroo tied down, sport, though it's a lonely place is the outback...
The "washing machine" song you refer to is "Mrs Bartolozzi", and IMHO is one of the two best songs on the first disc (the other being "A Coral Room"). I'm not sure why so many people and reviewers focus on the "washing machine" refrain and completely ignore the brilliance of the rest of the lyrics - it's an incredibly moving and powerful song.
Agreed. "Mrs. Bartolozzi" is a perfect celebration of the joys of married life and love. It's so rare to hear a song with that perspective, instead of focusing on the excitement of a new relationship. I think the silliness of the refrain is deliberately meant to sound like a detergent commercial, underscoring the intimacy of the main lyrics.
That's very well put . I've got this double CD myself and would agree with your sentiments. This song is just a lovely celebration of, well, loveliness, and you can really hear the feeling in her voice. Saying that, there are a couple of clunkers on the album, such as the washing machine song and the execrable number featuring Rolf Harris (yes, really), but skip past them and you've got a quiet, unassuming gem.
ROLF HARRIS?? I thought he died years ago. ("Tie me kangaroo down, sport - tie me kangaroo down...") The more I hear of Kate Bush's music, the more I like it. She fits perfectly with a sunny day or a cloudburst in my world.
No, you are spot on.
Ditto! Can't stand it!
I'll have what she's having.
Sounds like the opening song of a James Bond movie.
No, you are spot on.
That's very well put . I've got this double CD myself and would agree with your sentiments. This song is just a lovely celebration of, well, loveliness, and you can really hear the feeling in her voice. Saying that, there are a couple of clunkers on the album, such as the washing machine song and the execrable number featuring Rolf Harris (yes, really), but skip past them and you've got a quiet, unassuming gem.
The "washing machine" song you refer to is "Mrs Bartolozzi", and IMHO is one of the two best songs on the first disc (the other being "A Coral Room"). I'm not sure why so many people and reviewers focus on the "washing machine" refrain and completely ignore the brilliance of the rest of the lyrics - it's an incredibly moving and powerful song.
The Aerial album is like that. The whole first disc is unimportant, really, except for folks who wish for singles. She did this on Hounds of Love: single songs, and then the other side of the vinyl was a song suite about drowning. The second CD of Aerial is a single concept, and it's a tough one:
She's content. This is the antithesis of rock n roll, which is about angst and desire and dissatisfaction.
So, it's a song cycle about the day, beginning in the early morn and ending after the sun has set (and the dreamers start their dreaming).
Taken out of the context, it's not as obviously good, but that's where this comes from. It's a subtle, nonconfrontational, meditation on how happy she is.
That's very well put . I've got this double CD myself and would agree with your sentiments. This song is just a lovely celebration of, well, loveliness, and you can really hear the feeling in her voice. Saying that, there are a couple of clunkers on the album, such as the washing machine song and the execrable number featuring Rolf Harris (yes, really), but skip past them and you've got a quiet, unassuming gem.