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Length: 4:14
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all the calcified arithmatists were doing the math
And it would take a calculated blow to the head
to light the eyes of all the harmless sociopaths
oh arm in arm we are the harmless sociopaths
oh, arm in arm with all the harmless sociopaths
calcium mines are buried deep in your chest
oh the calcium mines you buried deep in your chest.
Ooh,
you're deep in a mine
Ooh,
a calcium mine
o-o-oh
let's get out of here
past the atmosphere
squint your eyes and no one dies or goes to jail
past the silver bridge
oh the silver bridge wearing nothing but a one-sie and a veil.
Ooh,
you're deep in a mine, o-o-oh
Ooh,
a calcium mine
oh-no-no
arm in arm we are the harmless sociopaths
oh arm in arm with all the harmless sociopaths
in the calcium mines buried deep in your chest
oh the calcium mines buried deep in your chest.
Ooh,
deep in a mine, oh-no
Ooh,
a calcium mine
oh-no
so let's get out of here
past the atmosphere
squint your eyes and no one dies or goes to jail
past the silver bridge
oh the silver bridge wearing nothing but a one-sie and a veil.
oh-no
oh-no
oh-no
oh-no
And he can whistle.
Don't love it, don't loathe it, it just doesn't interest me — 5/10
And he can whistle.
What she said.....
Or maybe some people don't like whistling in a song....
And he can whistle.
Maybe you're just being (intentionally?) dense? I'm mean it's certainly not as clear as a bell, but you didn't get that vibe even a little bit?
I bet you're a real treat at modern art exhibits. Yes, we all know your kid could draw that.
LOL.
Doesn't really matter what the songwriter says it's about - if the meaning isn't communicated, at some level, by the song, well, then it's not there.
Maybe you're just being (intentionally?) dense? I'm mean it's certainly not as clear as a bell, but you didn't get that vibe even a little bit?
I bet you're a real treat at modern art exhibits. Yes, we all know your kid could draw that.
Thanks for the link, and the context. I couldn't make this song out, either. Calcium mines? The article helps. His process seems so abstract, and intuitive at the same time. I've not been a fan of his, but now I like this particular song very much. It's on his MySpace page.
https://measureformeasure.blogs.nytimes.com/2008/03/26/words-will-tell/
Andrew Bird wrote:
EDIT - same link from ziggytrix also!
(And once I let him know the song's real title, he stopped griping. But he does whinge 'Oh noooo!' when I play AB...)
What's up with that, Bill?
It's a song about (according to the songwriter) how we, as adults, do not express our feelings, don't let people see us cry, or see us be afraid. The lyrics aren't completely meaningless, but you are right in that they were chosen as much if not more for textural reasons than for literal meaning. But there is some meaning in there, even if it isn't clear.
Doesn't really matter what the songwriter says it's about - if the meaning isn't communicated, at some level, by the song, well, then it's not there.
Fade out as they drive away.
It's a song about (according to the songwriter) how we, as adults, do not express our feelings, don't let people see us cry, or see us be afraid. The lyrics aren't completely meaningless, but you are right in that they were chosen as much if not more for textural reasons than for literal meaning. But there is some meaning in there, even if it isn't clear.
ed: some examples of nonsens lyrics that I like a lot: "...crab-a-locker fishwife, pornographic priestess...", or "...the hands of a government man...", or the thoroughly unintelligible lyrics of "Radio Free Europe". Because they are obviously there for the way they sound. And they sound good I think.
But those are some questionable lyrics (as near as I can tell). I think "cryptic" doesn't do it justice. I mean seriously, there's a fine line between clever and....stupid. Same with his first album. I generally don't listen much to lyrics, but hearing "sociopaths" over and over (and over) prompted me to investigate and then ask myself "WTF?". Don't even get me started on "Nomenclature". One might argue that the words are only there because he likes the sound of them. Michael Stipe, David Byrne and (many) others have taken that approach successfully (IMO). But the wacky words that AB uses (and invents) are just grating to me. I used to dislike the whistling but I am rethinking that position. Just my opinion.
It's a song about (according to the songwriter) how we, as adults, do not express our feelings, don't let people see us cry, or see us be afraid. The lyrics aren't completely meaningless, but you are right in that they were chosen as much if not more for textural reasons than for literal meaning. But there is some meaning in there, even if it isn't clear.
But those are some questionable lyrics (as near as I can tell). I think "cryptic" doesn't do it justice.
(...)
so what are the "calcium mines" in your opinion?
But those are some questionable lyrics (as near as I can tell). I think "cryptic" doesn't do it justice. I mean seriously, there's a fine line between clever and....stupid. Same with his first album. I generally don't listen much to lyrics, but hearing "sociopaths" over and over (and over) prompted me to investigate and then ask myself "WTF?". Don't even get me started on "Nomenclature". One might argue that the words are only there because he likes the sound of them. Michael Stipe, David Byrne and (many) others have taken that approach successfully (IMO). But the wacky words that AB uses (and invents) are just grating to me. I used to dislike the whistling but I am rethinking that position. Just my opinion.
In the salsify mains
of what was thoughtful and sad
all the calcified arhythmatists
were doing the math.
And it would take a calculated
blow to the head to
blind the eyes of all the harmless
sociopaths. Oh
Arm in Arm we are the harmless
sociopaths. Oh
arm in arm with all the harmless
sociopaths
Calcium mines you buried
deep in your chest. Oh the
calcium mines you buried
deep in your chest.
Hoo-oo-oo
you're deep in a mine,
hoo-oo-oo
a calcium mine
o-o-oh.
Letâs get out of here
past the atmosphere,
squint your eyes and no one
dies or goes to jail,
past the silver bridge
oh the silver bridge
wearing nothing but a
one-sie and a veil.
Hoo-oo-oo
you're deep in a mine,
hoo-oo-oo
a calcium mine
o-o-oh.
Arm in arm we are the harmless
sociopaths. Oh
arm in arm with all the harmless
sociopaths
In the calcium mines buried
deep in your chest. Oh the
calcium mines buried
deep in your chest.
Hoo-oo-oo
you're deep in a mine,
Oh-no
a calcium mine
Oh-no.
So letâs get out of here
past the atmosphere,
squint your eyes and no one
dies or goes to jail,
past the silver bridge
oh the silver bridge
wearing nothing but a
one-sie and a veil.
Yeah, something wrong there, but those are some awesome lyrics as well...
Pieter wrote:
He toured down here a while back. One reviewer called him a 'serial whistler'.
(I know it's wrong, but that's what I hear anyways)
The bird man has the most distinctive oddly likeable incomprehensible pronunciation!
Any song with the word "sociopath" in the lyrics will get at least an 8 from me! This gets an 8 for now, but it's getting closer to a 9 for each listen.
Me too, but I don't have to check anymore. If it's whistling, it's Andrew Bird!
(I know it's wrong, but that's what I hear anyways)
ions > mines, but other than that you nailed it, which I never would have without looking up the lyrics. Who'da thought?!?
(I know it's wrong, but that's what I hear anyways)
And whistling!