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Walking aimlessly tonight
The direction to your house
There is a great intelligence
Leading me to climb the stairs
Climb the stairs up to your house
Go!
To the smell that calls to you
Where the animal leads you
Even when you don't know
Why you ought to go
Anyone else note the strong similarities with the Lera Lynn remix on rotation here (the only thing worth fighting for is you)? Another very moody track, but the similarities seem more striking than a simple homage. Most cool...
Thanks. Good to know.
Goth Yoko Ono..... shudder.
Interesting that you would assume someone else's opinion would predict your own opinion of Chinawoman's music -- especially after listening to this track yourself. (I assume you listened to this track, since you commented on it.)
I like this, and would describe her voice as a deep alto version of Annie Lennox.
Like the music. Vocals are average. Not shabby at all!
Thanks B&R!
Yep. That's what I thought it was when it started, and now I'm disappointed it's not. That one soars. This one plunks along.
2->1
One of the few times I wish I had a PSD button on FStream
To the smell that calls to you
Where the animal leads you
Even when you don't know
Why you ought to go
Love it!
Whoa. I flashed back to the 80s and all my underground alternative playlists. I'm sorry - tapes. Tapes and vinyl.
Thanks. Good to know.
Goth Yoko Ono..... shudder.
Yes! Vocals work too.
No matter who you are, we all jump to conclusions at some point.
I thought this was some ballsy CBC woman from Toronto the Good. CBC = Canadian-born Chinese.
Nope. Nope, nope, nope. I should have known better when I thought I heard her channeling Annie Lennox.
Pasted from the biography:
The daughter of a Kirov ballerina and an engineer from Leningrad, Chinawoman grew up listening to her parents’ collection of
Soviet and 70’s European records. Her music has drawn comparisons to Nico and Leonard Cohen, Soviet era singing stars
such as early Alla Pugacheva, with a voice akin to Tanita Tikaram. While her concerts include more live aspects and a line-up
of musicians, she continues to record and release in the same bedroom manner as her first two albums - maintaining an
intimacy and singleness of expression: from her bedroom to yours. A genre based partly on elements of melody and style,
but moreso, a signature fatalist-celebratory approach to songwriting
This sounds inspired by Metric.
Or similar to Metric if you prefer.
Agree. I really like her voice because it makes you sit up and think but the rest of it is like Neue Deutsche Welle (which I didn't like all that much even back then)
I think that's the title of Harry Whittington's solo album.
Here is a link to another one : https://www.youtube.com/watch?feature=endscreen&NR=1&v=xeeosq6jGzE
(and the lyrics)
twice a year seems reasonable to me
to take care of one's extramarital needs
rise above them
they only grow
so how to deal with the inevitable
I have seen the result of discipline
makes a beast what would just been a whim
always have been one to endorse openness
now I fear some things best not discussed
to be with others
the need to be with others
for just a couple hours
to be with others
the need to be with others
you're the one I choose
the best I ever knew
how to make light of this thing
as to not give it reign
like the rest
doesn't deserve to have power over us
dread to be a couple harboring secrets
we are smart
we can crack the formula
learn to laugh about the occasional fuck
always have been one to endorse openness
now I fear some things best not discussed
to be with others
the need to be with others
for just a couple hours
to be with others
without destroying ours
Well noted. This does have a very 80s feel. Right now it also reminds me of Siouxsie and the Banshees.
this kind of works for me, on a first listen.
SPOT ON :)
Hey thanks for that tidbit. Just looked up the word on wikipedia. Some pretty neat women on the list of famous non opera contralto's.
BlueHeronDruid wrote:
And now that brings me to Rough Trade. Does anyone remember the DIRECT TO DISK RECORDING they made? Live in studio one take to the gizmo that creates the original cutting. So the limited edition copies came from a pressing only once removed from the master.
Now that was a treat for my Rega Planar 2. (Although I could only borrow the vinyl - could not get my hands on one permanently).
this kind of works for me, on a first listen.
Sometimes RP puts me on the track of something I hadn't noticed, like this; I actually thought it was something from the 80s I'd missed. I rather like the synth BBoyes deplores.
The timbre of her voice reminds me of another singer that eludes me for the moment, but not one second did I mistake it for a male voice.
Carol Pope from the Canadian Band of the 80's, Rough Trade, by chance....that's what I got from it.
I hear a little bit of Annie Lennox.
Sometimes RP puts me on the track of something I hadn't noticed, like this; I actually thought it was something from the 80s I'd missed. I rather like the synth BBoyes deplores.
The timbre of her voice reminds me of another singer that eludes me for the moment, but not one second did I mistake it for a male voice.
Carol Pope from the Canadian Band of the 80's, Rough Trade, by chance....that's what I got from it.
Sometimes RP puts me on the track of something I hadn't noticed, like this; I actually thought it was something from the 80s I'd missed. I rather like the synth BBoyes deplores.
The timbre of her voice reminds me of another singer that eludes me for the moment, but not one second did I mistake it for a male voice.
Or the damn keytar?
"strange name as:
She is not from China ...
and she is not a ...?"
Two days later — nope, she ain't no trannie. She's got a lower register voice, and if you looked at all her live performances, like I did, there's no further reason to believe she wasn't born a woman with an extremely low voice. I harken back to Marlene Dietrich, and CLICK! No wonder she's such a sensation overseas. I'll say one thing — this woman has talent, and is a gifted artist.
peterneorr wrote:
Reminds me of Blondie's Atomic.
It's the bassline pivoting between the octave