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That shines on me tonight
Turns on
When you wander through my door
And your friends
Won't see you to the end
I'm sure
But you love them anyhow
Lost feelings of love
Lost feelings of love
That hover above me
Lost feelings of love
Lost feelings of love
That hover above me
The ghosts
That visit me the most
Drop by
'Cause they know they can find me here
And they claim
To be help from me in chains
But come on
They're guilty as sin, my dear
I'm becoming a ghost
Becoming a ghost
So nobody can know me
I'm becoming a ghost
Becoming a ghost
So nobody can know me
These stones
That are thrown against my bones
Break through
But they hurt less as time goes on
I'm alone in my home
Alone in my home
Nobody can touch me
All alone in my home
Alone in my home
Nobody can touch me
I really don't get why he thinks he's becoming a goat. It really doesn't make sense in the context of the song.
Maybe he thinks he's becoming a G.O.A.T.? Strikes me he could have the ego for that.
I remember seeing a TV documentary about David Bowie who said he would decide what the song was about then write down word association phrases as they came into his head. When he had enough word stream material he would then would cut the pieces of paper into lines of lyrics and then shuffle them around until he got something that worked.
So he would get 'lyrics' about a theme but in a strange and mysterious juxtaposition - without resorting to drugs.
Maybe Jack used that technique?
The cut-up technique was pioneered by the Beats with the most prominent practitioner being William Burroughs.
This photo must have been taken instants before his demise . . . Chilling!
Jack is very much alive and well here in Nashville, I assure you :)
I remember seeing a TV documentary about David Bowie who said he would decide what the song was about then write down word association phrases as they came into his head. When he had enough word stream material he would then would cut the pieces of paper into lines of lyrics and then shuffle them around until he got something that worked.
So he would get 'lyrics' about a theme but in a strange and mysterious juxtaposition - without resorting to drugs.
Maybe Jack used that technique?
The cut up method preceded Bowie as a literary movement. William Borroughs was the figure that got the most attention even though he learned the technique from his friend Peter.
I'm so hot for her, I'm so hot for her
I'm so hot for her and she's so cold
I'm so hot for her, I'm on fire for her
I'm so hot for her and she's so cold
I'm the burning bush, I'm the burning fire
I'm the bleeding volcano
I'm so hot for her, I'm so hot for her
I'm so hot for her and she's so cold
Yeah, I tried re-wiring her, tried re-firing her
I think her engine is permanently stalled
She's so cold she's so cold
She's so cold cold cold
Like a tombstone
She's so cold, she's so cold
she's so cold cold cold like an ice cream cone
She's so cold she's so cold
I dare not touch her my hand just froze
Yeah, I'm so hot for hot for her, I'm so hot for her
I'm so hot for her and even so
Put your hand on the heat, put your hand on the heat
Aw C'mon baby, let's go
She's so cold, she's so cold, cold, she's so c-c-c-old
But she's beautiful, though
Yeah, she's so cold
She's so cold, she's so cold
She was born in an arctic zone
She's so cold she's so cold, cold, cold
I dare not touch her my hand just froze
She's so cold, she's so goddamn cold she's so
Cold cold cold she's so cold
Who would believe you were a beauty indeed
When the days get shorter and the nights get long
Lie awake when the rain comes
Nobody will know, when you're old
When you're old, nobody will know
that you was a beauty, a sweet sweet beauty
A sweet sweet beauty, but stone stone cold
You're so cold, you're so cold, cold, cold
You're so cold, you're so cold
I'm so hot for you, i'm so hot for you
I'm so hot for you and you're so cold
I'm the burning bush, I'm the burning fire
I'm the bleeding volcano.
-- "She's So Cold" (The Rolling Stones)
Distinctive only in its absence.
Definitely Jack on piano. He has a very distinctive style.
This photo must have been taken instants before his demise . . . Chilling!
Whatever you do, don't blink!
https://en.wikipedia.org/wiki/...
I remember seeing a TV documentary about David Bowie who said he would decide what the song was about then write down word association phrases as they came into his head. When he had enough word stream material he would then would cut the pieces of paper into lines of lyrics and then shuffle them around until he got something that worked.
So he would get 'lyrics' about a theme but in a strange and mysterious juxtaposition - without resorting to drugs.
Maybe Jack used that technique?
In interviews Jack has said one of his lyric writing techniques is to write from the perspective of fictional characters.
He's creative, talented & original. That's all. Dissecting his music, based on your limitations, reeks only of envy. That's all.
I remember seeing a TV documentary about David Bowie who said he would decide what the song was about then write down word association phrases as they came into his head. When he had enough word stream material he would then would cut the pieces of paper into lines of lyrics and then shuffle them around until he got something that worked.
So he would get 'lyrics' about a theme but in a strange and mysterious juxtaposition - without resorting to drugs.
Maybe Jack used that technique?
In interviews Jack has said one of his lyric writing techniques is to write from the perspective of fictional characters.
I remember seeing a TV documentary about David Bowie who said he would decide what the song was about then write down word association phrases as they came into his head. When he had enough word stream material he would then would cut the pieces of paper into lines of lyrics and then shuffle them around until he got something that worked.
So he would get 'lyrics' about a theme but in a strange and mysterious juxtaposition - without resorting to drugs.
Maybe Jack used that technique?
There's a movie about INXS and runs their beginning to Hutchinson's end but it spends a lot of time showing how they created the songs. Hutchinson would write random thoughts on scraps and the bandmate writing the tunes would do so independently. Then Hutch would sort through his scraps to find lyrics that would fit the song. Found it interesting.
This photo must have been taken instants before his demise . . . Chilling!
Nah, he will just be sent back to 1800th Century Detroit where he can live out his life busking for Great Lake fur traders and raising the ire of missionary priests...
Egctheow wrote:
This photo must have been taken instants before his demise . . . Chilling!
Nah, they're his style council :-) and they're having second thoughts about his shiny blue Twilight look...
Is anyone else as horrified as I to see a man turning his back to a host of weeping angels?
This photo must have been taken instants before his demise . . . Chilling!
I remember seeing a TV documentary about David Bowie who said he would decide what the song was about then write down word association phrases as they came into his head. When he had enough word stream material he would then would cut the pieces of paper into lines of lyrics and then shuffle them around until he got something that worked.
So he would get 'lyrics' about a theme but in a strange and mysterious juxtaposition - without resorting to drugs.
Maybe Jack used that technique?
The notes in this piano riff are playing at approximately the same tempo as the notes in the harpsichord solo from "In My Life"; there may be three or four common notes, but it is a different series of notes. It is reminiscent but we all hear different things.
Hmm. Who's his producer then? Oh, it's himself. Still waiting for Jack's appeal to manifest itself to me.
That's an echo.
That's funny...
That's an echo.
i think it was just those high notes were similar
if it was his intention to copy that then i say good job Jack
Possibly the worst thing he has ever released
I agree
Possibly the worst thing he has ever released
Yes, it ended.
I would be sad if we would only hear each song once... first, I wouldn't be able to remember them all and, for me, the playlist would be a succession of happy discoveries forgotten right away... Not really what I want. Being played 3 times in a month is not being "overplayed" but it's enough to be heard once every month or two. This way, I can slowly recognise the titles played and expand my music knowledge :)
For the "overplayed" songs that I don't like and can't even bear to hear twice a month, there is PSD.
There are actually very few songs that are played once a week, it would be interesting to know how many users catch them every time they are played. Seeing that there is no particular regularity with time ( no "Tuesdays at noon", not even any "Every Tuesdays" ) I think very few listeners hear each playing of a song and can rightfully complain about a song being "overheard".
Jack White is badass, and he deserves all the accolades he'll get for this album. And for his whole oeuvre, really.
It's just a tiny hotdog.
Jack White is badass, and he deserves all the accolades he'll get for this album. And for his whole oeuvre, really.
xtalman wrote:
Daughter is the big fan, I like it well enough which is a good thing since she loves watching it.
xtalman wrote:
It does have that "bangy" piano sound that Hornsby was known for, but a lot of people have played pianos that way.
Is anyone else as horrified as I to see a man turning his back to a host of weeping angels?
This photo must have been taken instants before his demise . . . Chilling!
I'm not horrified at all. I see the album cover as a statement by the artist that he is VERY confident there is no heaven after death. Unlike many people, myself included, who don't really buy into the Christian concept of heaven, but have a tiny self doubt that we might be wrong, Jack White appears to not be hedging his bet.