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Length: 8:00
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The shameless kiss of vanity
The soft and the black and the velvety
Up tight against the side of me
And mouth and eyes and heart all bleed
And run in thickening streams of greed
As bit by bit, it starts the need
To just let go, my party piece
Oh, I miss the kiss of treachery
The aching kiss before I feed
The stench of a love for younger meat
And the sound it makes when it cuts in deep
The holding up on bended knees
The addiction of duplicities
As bit by bit, it starts the need
To just let go, my party piece
I never said I would stay to the end
So I leave you with babies and hoping for frequency
Screaming like this in the hope of the secrecy
Screaming me over and over and over
I leave you with photographs, pictures of trickery
Stains on the carpet and stains on the scenery
Songs about happiness, murmured in dreams
And we both of us knew how the ending would be
So it's all come back round to breaking apart again
Breaking apart like I'm made up of glass again
Making it up behind my back again
Holding my breath for the fear of sleep again
Holding it up behind my head again
Cut in deep, to the heart of bone again
Round and round and round
It's coming apart again
Over and over and over
Now that I know that I'm breaking to pieces
I'll pull out my heart and I'll feed it to anyone
Crying for sympathy
Crocodiles cry
For the love of the crowd and three cheers from everyone
Dropping through sky
Through the glass of the roof
Through the roof of your mouth
Through the mouth of your eye
Through the eye of the needle
It's easier for me
To get closer to Heaven than ever feel whole again
I never said I would stay to the end
I knew I would leave you with babies and everything
Screaming like this in the hole of sincerity
Screaming me over and over and over
I leave you with photographs, pictures of trickery
And stains on the carpet and stains on the memory
Songs about happiness, murmured in dreams
And we both of us knew how the end always is
How the end always is
How the end always is
How the end always is
How the end always is
How the end always is
Always
Always
The Cure cloned its robo drummer for loan out to Arcade Fire.
This induces an audio headache. One of my lowest rated RP tracks.
Next!
Talk about repetitive- you had three years to come up with a new pithy comment.
On a related note (pardon the pun) Jimmy Pop of Bloodhound Gang started the Mr. Rogers song with "Yeah, I sing like an amputee - Can't hold a note, can't carry a tune..."
In spanish we use to different words, cantante and intérprete, singer and interpreter. There are many great singer with awesome voices. Smith is a great interpreter and the perfect singer for the cure.
Read a story or interview with Smith years ago. Seems like he was/is in a very strong, loving marriage that belied some of the music.
Perhaps that marriage -- and the confidence and security that came with it -- gave him the freedom to write such sad music.
Read a story or interview with Smith years ago. Seems like he was/is in a very strong, loving marriage that belied some of the music.
Their first hit was a controversial "Killing an Arab" in 1979. That was 'focus' not 'performance'!
Ooooooh, I can already feel your wrath - no one dares to dis the Cure.
The live version on Entreat is even better. I love this song.
Yes I bought it in 1989 ! And I still listening it now. 9 for me
Then why not use the PSD button, Dearie?
That saves you listen to the song and us reading your dire, whiny, crappy comments?
I used PSD for this very depressing tune. Unfortunately the PSD song was shorter so there was 1 minute left.. Too much Cure on RP these days. They never were as popular even in Europe as they are at RP now
Yeah, no one bought this album - it's amazing anyone even remembers it now.
god i'm sorry i'm in such a bad mood
I don't want to become a troll
Then why not use the PSD button, Dearie?
That saves you listen to the song and us reading your dire, whiny, crappy comments?
I used PSD for this very depressing tune. Unfortunately the PSD song was shorter so there was 1 minute left.. Too much Cure on RP these days. They never were as popular even in Europe as they are at RP now
Then why not use the PSD button, Dearie?
That saves you listen to the song and us reading your dire, whiny, crappy comments?
Then why not use the PSD button, Dearie?
That saves you listen to the song and us reading your dire, whiny, crappy comments?
Agreed.
The Cure is in town and I got tickets....
This induces an audio headache. One of my lowest rated RP tracks.
Next!
Just a tidbit that I knew that you were all dying to hear.
Great driving music.
I'll second that!!
The Live-Version on the album Entreat sounds even better...
Thanks to RP.
Who asked you?
Who asked you?
Perhaps for hemmorhoids.
I rate this 'bleh'.
Yes, a technique of percussion that the skin banger of Arcade Fire emulates on every f'in track. Just bring in a drum machine.
I am sorry you felt obliged to answer a non question. Next time, help yourself and don't put yourself in such a TERRIBLE strain. Others might gain from it, too.
INSANE STATEMENT!
This endless repititions of a non-singer is awesome?
It's tiring and horrible!
INSANE STATEMENT!
This endless repititions of a non-singer is awesome?
It's tiring and horrible!
le_colonel wrote:
10. Minus 3 billion.
Everybody in my churches loves this song...
The (Less Than) Eternal Sea
The Poet’s Metaphor and the Styrofoaming of the Waters
By Lewis Lapham
Surely the sea was eternal, going on forever, its vast prodigious bulk 71% of the earth’s surface, not to be contained within the frame of history or chained to the oars of death and time. So it had been in the creation myths constructed in the languages of both art and science — the Sumerian goddess Nammu giving birth to heaven and earth, Homer’s “Ocean, who is the source of all,” Christendom emerging with Noah from the Flood, evolutionary theory evolving from the primordial, undifferentiated flux. So I thought it still was, T. S. Eliot’s “groundswell, that is and was from the beginning,” right there where it was supposed to be every summer, in sun or fog, 20 yards over the horizon of the beach club’s beach umbrellas.
Except it wasn’t, and it isn’t. The poetics stand corrected by the science. Contrary to the belief that man cannot mark the sea with ruin, it turns out that he has been doing so for the last two thousand years. If I had been slow to acknowledge the unwelcome fact, I was in distinguished company. Henry David Thoreau in the 1850s did not “associate the idea of antiquity with the ocean, nor wonder how it looked a thousand years ago, as we do of the land, for it was equally wild and unfathomable always.”...
We needn’t call upon an angry god to make the sea an object of no small terror. Every year we withdraw from it 160 million tons of fish, deposit in it 7 million tons of garbage. Poisonous chemicals in the Gulf of Mexico have formed a pool of dead water equivalent in size to the state of New Jersey; among the several hundred dead zones elsewhere in the world, one encircles the Chinese coastline.
If the sea levels continue to rise at their current rate, the day is not far off when Miami and Atlantic City become beds for oysters. The fishing in the sea that was once near the surface now is done by trawls the length of locomotives dropped to the depth of a mile and dragged across the bottom, reducing many thousands of square miles of the ocean floor to barren deserts no longer giving birth to the tiny organisms from which emerge the great chains of being that sustain the life of the planet.
Nothing in the sea lives by itself, nothing either on the earth or in the air or in the minds of men. To know the sea is mortal is to know that we are not apart from it. Man is nature creatively refashioning itself. The abyss is human, not divine, a work in progress, whether made with a poet’s metaphor or with a vast prodigious bulk of Styrofoam.
10.
Disintegration (the album) was meant to be listened to as a whole.
It's a song so good that I have to stand up and dance...may be it's time re-think supporting RP*. This is (almost) absolute brilliant!
* after a year out of virtual space
Disintegration will always be a song (and record) that I have to stop and take a few moments to listen to and let it take me back to my teen into twenties years.
It holds up remarkably well.
ditto. I'm hearing lot's of 10's this morning. Makes the day so much better!
Please make it stoooooooppp!!
I'd rather be ill, thank you.
aspicer wrote:
And this song is so great.
Play this loud!
This IS the original album version.
Yea, but the original album version is much, much better. I am just kidding of course, I hope everyone is going to be ok. Please remain calm. Were I to post more statements like this it might just be the final nail, tip the world economy and bring on Armageddon for sure!
But why is PeeWee Herman on this album cover?
"This album was mixed to be played loud so turn it up".
Amen Robert.
oh, you kids!
The original album version is much, much better.
The original album version is much, much better.
This IS the original album version.
The original album version is much, much better.
8:32 am The Cure Disintegration 6.6
8:28 am Beatles I Am The Walrus 8.6
8:24 am Pixies Where Is My Mind 8.1
8:20 am The Shins New Slang 8.1
8:15 am Led Zeppelin What Is And What Should Never Be 8.9
not?
It's on both, just different wording. I'm sure it's probably on a bunch of others, too - I seem to recall something similar on a Mountain album.
A mantra...
Hello to my home State!
That's it. I thought that was on the Live At Leeds also. Either one works.
Now I have to go pull them out to see...
It's on both, just different wording. I'm sure it's probably on a bunch of others, too - I seem to recall something similar on a Mountain album.
And the James Gang's first album had the instruction: Made Loud To Be Played Loud
Something I think we can all get behind . . .
That's it. I thought that was on the Live At Leeds also. Either one works.
Now I have to go pull them out to see...
Actually, that first showed up on the label of The Who's Live At Leeds along with the phrase Crackles and Pops OK...
And the James Gang's first album had the instruction: Made Loud To Be Played Loud
Something I think we can all get behind . . .
"This album was mixed to be played loud so turn it up".
Amen Robert.
Actually, that first showed up on the label of The Who's Live At Leeds as "Made Loud To Be Played Loud" along with the phrase "Crackles and Pops OK..."
Not a huge Cure fan but I played the first half of this album to death when it came out.
Read a story or interview with Smith years ago. Seems like he was/is in a very strong, loving marriage that belied some of the music.
1st half? This is one of those albums that I always thought was best listened to all the way through.