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John Scofield — A Go Go
Album: A Go Go
Avg rating:
7.4

Your rating:
Total ratings: 1883









Released: 1998
Length: 6:32
Plays (last 30 days): 1
(Instrumental)
Comments (137)add comment
 nu11 wrote:

At least a million on the Scoville scale! unlike the Red Hot Chili Peppers this is completely hot !





Rates at least a 9 on the RP/Scofield Scale!
One of those recordings that makes me reconsider my antipathy to jazz...
 norwegian_would wrote:

I don’t usually comment. I just listen and read, but when Scofield plays I have to write. I have seen him more times than any other ‘jazz’ artist. It’s weird, when he is really grooving, it looks like he is having a seizure, until it feels lIke I am having one as well. I guess that’s what you call transcendental. Keep them coming Bill. 


Music so good you may need to be hospitalized!   ; )
This organ just screams John Medeski.
 nu11 wrote:

At least a million on the Scoville scale! unlike the Red Hot Chili Peppers this is completely hot !




Hmm, Different.
10 the rating, plus ten times more!
At least a million on the Scoville scale! unlike the Red Hot Chili Peppers this is completely hot !


 paloeguevo wrote:

Awesome version with Medeski, Martin & Wood live version




Thank You.  I will check it out.  I love MMW! ...it is on You Tube. 
 bitbanger wrote:

Dang but this does swing. Gotta love MMW's work on this bad boy! Digging on the counterpoints all over the place. Easy 9 from South Billyburg.




I Agree completely!  Thabx RP!   
exemplar ensemble! That drummer channels Clyde onto another level
 xcranky_yankee wrote:

it just seems that this was used for a TV show... thought it was Barney Miller but it is not. anybody else hearing this?



There is a lot of twang in the base.  Barney Miller had a very bass-heavy theme song with a fair amount of twang in it.
Awesome version with Medeski, Martin & Wood live version
it just seems that this was used for a TV show... thought it was Barney Miller but it is not. anybody else hearing this?
 Shmelo wrote:

John Medeski lending his funk to Scofield, can't go wrong. 



amen
precise, bouncy, playful, bluesy, jazzy
Hyping up 70's funk with a whole box of soft tissues. Or what? Some lense-cleaner ones involved... to remind us pluckin' some strings could be fun.
Execellent...👍👍👍
The session I want to play in :)
When you can recognize an artist from only the first few notes, it's a pretty good indication they're doing something right.
Dang but this does swing. Gotta love MMW's work on this bad boy! Digging on the counterpoints all over the place. Easy 9 from South Billyburg.
Cool to the bone. 
He haz tone !
 kcar wrote:


Fred, 

Your parents called from The Beyond. They tried to do their best by you, but they'd really appreciate it if you'd let go of your hatred of their musical choices. 

I'd give this an 8.5 if I could. 
 

Billy Martin on drums makes this track for me. An easy 9.
Reasonably funky. Much prefer George Duke and Billy Cobham's earlier work with Scofield along these lines c. 1976
 fredriley wrote:

Fine by me - jazz sucks the big one to these ears. Your comment reminds me of my jazzophile father, to whom technical virtuosity was the main criterion for judging jazz numbers. Never mind that it sounded like a herd of tomcats on heat, if it's fiendishly difficult to play and hasall sorts of esoteric musical techniques in the scoring, it's the dog's bollox in his view. As a non-sophisto myself, I'll take something with a decent toon, without all the self-indulgent noodling and discords and ear-mangling percussion that so characterises 'sophisto-jazz'. This number may be more processed than a can of baked beans but it sounds good, and that's all I give a monkeys about.
 

Fred, 

Your parents called from The Beyond. They tried to do their best by you, but they'd really appreciate it if you'd let go of your hatred of their musical choices. 

I'd give this an 8.5 if I could. 
assembled elevator music
 westslope wrote:
A terrific groove but enough head turning stuff going on to make it interesting.
 
Seconded... 😁
Oh....Soooo...smooooth....mmmm 😌
Great album.  Glad to hear on RP
I don’t usually comment. I just listen and read, but when Scofield plays I have to write. I have seen him more times than any other ‘jazz’ artist. It’s weird, when he is really grooving, it looks like he is having a seizure, until it feels lIke I am having one as well. I guess that’s what you call transcendental. Keep them coming Bill. 
A terrific groove but enough head turning stuff going on to make it interesting.
Groovy!
Love this!
This is great! But it makes me feel inadequately ungroovy.
I love it, but it somehow seems to point at my lack of cool. Like I wish I could move to that song the way it deserves, but I know I would be falling short. Does that make any sense?

And you have every right to say no
{#Bananajam}{#Hug} this is just plain goood
When you want to play trumpet, but you only know guitar.

I mean that as a compliment, not a criticism... 
{#Bananajam}
Having seen Mr. Medeski jam his amazing Hammond in Tokyo (MMW), I recognized his hand in this right away. Jazzy, funky, soulful art
Outstanding. Haven't heard Scofield in quite awhile. My bad.
Hi Class!
I judge if I like something when I sit up from reading and have to check out on the squeezebox which track is playing if I've not heard it before. This is cool.
 Hippostar wrote:
Playing quarter and eighth notes doesn't make musical genius either.  Otherwise, this is just a vacuous attempt to copy actual acid jazz by people who most likely entered music as a "second career"....
 
John Scofield has played and recorded with Charles Mingus, Miles Davis, Gerry Mulligan, Chet Baker, George Duke, Billy Cobham, Pat Metheny, and quite a few other jazz notables - one hell of a "second career".  That obviously does not make him a musical genius but I don't think that claim had been made here anyhow.
John Medeski lending his funk to Scofield, can't go wrong. 
{#Dancingbanana}{#Guitarist}
Funking awesome, love his work.
pretty tasty guitar work!
 scraig wrote:
That song was like a four course meal. Very tasty and quite satisfying.

 
Reminds me of the funkiest of funky chickens. Maybe she wound up in the pot by the time you heard this...
Just goes to show that you can produce a kick ass song with just 5 words :^ )
sorry, wrong song./
Excellent
 Jelani wrote:
Someone misspelled the title; 
actually, it's "A No No". 

 
Ha, that's funny.  I like this track, but I'd prefer to hear something off the album "Still Warm"...

https://www.youtube.com/watch?v=7p5lhErXh7Y&feature=kp


If I had a mind to. . . if I set myself the task to play guitar, it would sound like this. 
kinda different
Someone misspelled the title; 
actually, it's "A No No". 
I think this is called "Noodling"... Sorta like doodling but more audible than visual...

Not my cuppa...


Maybe it's just me... If so, that's fine...    
This whole album is so darn good 
Dig it

very groovy jam...  love it...
 
you GOT to funkify yo life {#Bananapiano} this guy listened to a lot of METERS records is my guess, YES?
get the funk..........in my face
What a nice groove...
I like all music, don't matter which category the theorists dump it in.  I just think it takes a lot more genius to write and perform an engaging piece.  It goes for all forms of entertainment.
For a second there I thought I was listening to one of my mp3's...

prolly my second favorite guitarist next to Pat Metheny.  nice groove.  
Damn, mellow out young un's.
 Hippostar wrote:
Playing quarter and eighth notes doesn't make musical genius either.  Otherwise, this is just a vacuous attempt to copy actual acid jazz by people who most likely entered music as a "second career".

The drums are mechanical and could be replaced by a drum machine and nobody would notice — this guy seems to only know one lick. It's painful to listen to the beautiful sounds of a Hammond brutalized by heavy digital effects and processed within an inch of its life.

 
Fine by me - jazz sucks the big one to these ears. Your comment reminds me of my jazzophile father, to whom technical virtuosity was the main criterion for judging jazz numbers. Never mind that it sounded like a herd of tomcats on heat, if it's fiendishly difficult to play and hasall sorts of esoteric musical techniques in the scoring, it's the dog's bollox in his view. As a non-sophisto myself, I'll take something with a decent toon, without all the self-indulgent noodling and discords and ear-mangling percussion that so characterises 'sophisto-jazz'. This number may be more processed than a can of baked beans but it sounds good, and that's all I give a monkeys about.
 Hippostar wrote:


Playing quarter and eighth notes doesn't make musical genius either.  Otherwise, this is just a vacuous attempt to copy actual acid jazz by people who most likely entered music as a "second career".
 
Sounds like the hipster from Portlandia is a master baiter. 

I guess I always thought that John Scofield was an actual, fully credentialed, jazz guitarist. 
 sfearll wrote:
made me look.... sounds great..!
 
Made me BUY it!
made me look.... sounds great..!
Very nice, would love to hear more from Medeski Martin and Wood on this station!
 

Medeski, Scofield, Martin & Wood - A Go Go, Live
Estival Jazz, Lugano, Switzerland, 5th July 2007 John Medeski - Keyboards John Scofield - Guitar Chris Wood - Bass Billy Martin - Drums.
 

niiiiiiiiiiiiiice. love the long slow fadeout
great album

That song was like a four course meal. Very tasty and quite satisfying.
 On_The_Beach wrote:
I can handle his music in small doses. Over the course of a whole CD it starts to get a bit tired.
 

i kinda agree...although I'd say I "enjoy" his music in small doses...

You've got to appreciate well-placed notes. Great album.


i've listened to this album religously since it's conception....if you like this song i recommend it strongly!!



john scofield 2 by ~Thaisis
©2006-2010 ~Thaisis



{#Dancingbanana}{#Drummer}{#Bananajam}{#Bananapiano}
 openears wrote:
Good to hear someone playing the right notes in stead of 50 notes per second

 

Playing quarter and eighth notes doesn't make musical genius either.  Otherwise, this is just a vacuous attempt to copy actual acid jazz by people who most likely entered music as a "second career".

The drums are mechanical and could be replaced by a drum machine and nobody would notice — this guy seems to only know one lick. It's painful to listen to the beautiful sounds of a Hammond brutalized by heavy digital effects and processed within an inch of its life.

This is truly a great example of what you can buy with a whole lot of studio time and unlimited digital post-production.

I use to open my coffee house with this in the morning!  THe BUZZ! execellent to get you awake!!! Thanks RP.
I thought this was Trey and Phish. Nice groove.
I can handle his music in small doses. Over the course of a whole CD it starts to get a bit tired.
 jonahboo wrote:
Mr 335
 
Is he playing a 335 here?

 openears wrote:
Good to hear someone playing the right notes in stead of 50 notes per second

 
Like Django or perhaps Les Paul?

I have the "Still Warm" album and thought this track was on it, but I don't see "A Go Go" on its track list.  Love that album - it's getting played this weekend.


The local CBC station used to play this song as background for their traffic report! I keep waiting for Bill to give the traffic info {#Lol}
Good to hear someone playing the right notes in stead of 50 notes per second

Reminds me a bit of some of the less frenetic stuff on Jeff Beck's Blow by Blow.
Brilliant! 

{#Dance}   {#Guitarist}
Mr 335
I think Martin Medeski + wood is the band w/ him on this ——-  Killer stuff
My 2nd favourite guitarist after Pat Metheny. Check Sco out on his collaboration with Metheny on "I can see your house from here", his playing on Herbie Hancock's New Standard album and Saudades by Trio Beyond. Be prepared to be bowled over. Hand Jive and Grace under Pressure albums are, for me, his best works in his own name, though he excels on his huge backlog catalogue.
Niiece!

This is completely new to me and I like it.
Initially I thought Grateful Dead in groove mode, but this is better.  Tasty stuff.
Zzzzz. It's 9:30 AM on the east coast. This is music to lay in bed on Sunday morning with. 
 ArbiterOfGoodTaste wrote:
I just love those guitar squonks!
 
Squonks! Nice.
no comment  -   8.
Nice groove.
stevetheshoe wrote:
I don't what guitarists you refer to, but I've seen quite a few myself and Scofield is right up at the top of the field.
Damn straight. If Scofield was deemed good enough to play in Miles Davis' bands during the 80s, he's good enough for me. Best thing about John is you can pick out his sound pretty easily. It's a distinguished style that goes along with his distinguished career.
Time signature hook 101.
chucklesalmon wrote:
Holy Crap! It's OLD MAN FUNK! A veeerry special kind of groove, usually only played by aging Showbands or swing musicians. Often in the 70's swing bands would add one or two straight time "rock" tunes for "the kids". Yep, this is old man funk. "boom boom Bap, b-doo bee doo Bop" Nope, I don't care who is playing drums.... it's old man funk. Not funky, but.... Old. Man. Funk.
Hilarious! A bit of a let down after Porcupine Tree....
I just love those guitar squonks!
SCO rules!
parrothead wrote:
This is also known as loud jazz. An old rock and roller and an attraction to blues could take a liking to this.....
Ah, so........that explains it!
rgrace wrote:
I dunno, but I've seen a lot of genuinely great guitarists and lemme tell ya, Scofield ain't one of 'em...
I don't what guitarists you refer to, but I've seen quite a few myself and Scofield is right up at the top of the field.
FANTASTIC ALBUM! check it out if you can, well worth it!
Hey! if it had some cowbell I'd give it a Ten!
I like the funkyness.
Fusion music is very welcome too! What about Pat Metheny, Lyle Mays, Brecker Brothers and similar cool, jazzy-funky bands, Bill...?
In my opinion, this collaboration from Scofield and Medeski Martin & Wood is better than either one of them alone (from a listenable-album point-of-view). Alone they are prone to rambling, but together the songs are much tighter. A good album...
healyf52 wrote:
This song is doing absolutely nothing for me. It's definately a 'ho-hum'. Let's hear some Bill Frisell, that is if RP is hip enough to have any of his recordings..
Agreed. I was intrigued enough to see this tour live at Iridium and was blown away. Then I bought the album... Haven't listened to it since though bootlegs of this tour do the performances some justice.
This song is doing absolutely nothing for me. It's definately a 'ho-hum'. Let's hear some Bill Frisell, that is if RP is hip enough to have any of his recordings.. .. just checked .. they don't.. maybe I'll upload a couple of tunes..
This is also known as loud jazz. An old rock and roller and an attraction to blues could take a liking to this.....
Old man funk Long time since I heard Scofield. Does that mean I'm old too
I dunno, but I've seen a lot of genuinely great guitarists and lemme tell ya, Scofield ain't one of 'em...
junebaby65 wrote:
I love John's playing because as technically adept as he is and having super chops, he never forgets the blue note in his playing. He never has that typical jazz fusion "sterile" sound. Amen to that.
chops? you mean he plays the guitar with his mouth? he certainly didn't last time i saw him in concert... still a briliant performance though!
very good! fantastico
chucklesalmon wrote:
Holy Crap! It's OLD MAN FUNK! A veeerry special kind of groove, usually only played by aging Showbands or swing musicians. Often in the 70's swing bands would add one or two straight time "rock" tunes for "the kids". Yep, this is old man funk. "boom boom Bap, b-doo bee doo Bop" Nope, I don't care who is playing drums.... it's old man funk. Not funky, but.... Old. Man. Funk.
yeah..right I guess Miles lost his chops when he got over 40?
ha..just ordered this from amazon today
word