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Total ratings: 1861
Length: 4:45
Plays (last 30 days): 2
Was he far eyed? With his heart out?
Oh, tell me it true. Oh, tell me it true.
Were the cottonwoods a drifting?
Were you silent? Were you singing?
What delicate tune? What delicate tune?
What secret did he tell yea?
Wild lilac and Diapensia.
Was he as far gone? With the engine light on?
Was it sacred? Did you scream out?
Did you kiss him? Was it light out?
What delicate hue? What delicate hue?
I think she said "nunya!"
As someone who has long identified as non-monogamous, I could say this is about a man speaking about his girlfriend as she's on a date (with someone else). I could also say this is about a parent singing about his daughter who is on a date. But that's what I like about this song.
Or an intimate conversation between friends about a lover....
As someone who has long identified as non-monogamous, I could say this is about a man speaking about his girlfriend as she's on a date (with someone else). I could also say this is about a parent singing about his daughter who is on a date. But that's what I like about this song.
'SHE' ?
An assumption when one reads the lyrics .... and the song's named "ELIZA" for heaven's sake.
'SHE' ?
Very interesting... I like this...
Album Review: Chris Bathgate - Salt Year
Bathgate's music is dreamy, whiskey-colored folk floating above a careful arrangement of guitar and piano, used only to augment the songs rather than lead them. Bathgate playing acoustic must sound pretty much like this album; everything is designed to show off his voice, and his voice is in fine form here. He's distinctive enough to admire but subtle enough to allow your mind to wander through his songs.
"No Silver" is catchy and casual, loping at an easy pace through country-style guitar and some gentle percussion. "Poor Eliza" is a darkly quiet meditation on relationships: "It is what it is/what it is." Its apparent companion, "Eliza (hue)", sounds like Dispatch would if that band had a greater depth of emotion. Title track "Salt Year" is dreamy and sad, reflecting on lost loves in a melody that showcases the velvety texture of Bathgate's voice. Album closer "Everything (Overture)" is a lovely, six-minute dalliance through a bare soundscape colored at first only by a lone guitar and Bathgate's voice, featured in a quiet harmony that brings to mind the Once soundtrack. Gradually, horns and percussion flesh out the song into a fully loaded rambler. It's startling when the music ends; you expect it to just keep going on into the sunset.
Chris Bathgate owns the voice and the melancholy of someone twice his age, and Salt Year packages enough charm to spare. This is the perfect background music for writing, drawing, or maybe just dreaming away the afternoon.
sweet man : )
Chris Bathgate (born April 21, 1982) is an American indie folk singer-songwriter and musician.
He is prominent in the Ann Arbor and Ypsilanti folk music scene in Michigan
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Levon and the Boys would approve, i reckon
Sare here. 8 to 9 with this listen.
I'll bring the Talisker.
You guys / gals rock
I'll bring the Talisker.
Wait 'til Thursday, at least.
I'll bring the Talisker.
:-)
CHRIS, grand-grandson of BILLY!
Check it out - I am serious!
Or not.
"Billy Bathgate" wasn't a bad movie, although "Ragtime" was better. Hey, I didn't know Doctorow wrote "Book of Daniel" as well—thanks Stingray! Looks like Hollywood's taken care of Doctorow...
:-) what a nice cover :-). and music, too.
wow.
Ditto.
Very interesting... I like this...
Album Review: Chris Bathgate - Salt Year
Bathgate's music is dreamy, whiskey-colored folk floating above a careful arrangement of guitar and piano, used only to augment the songs rather than lead them. Bathgate playing acoustic must sound pretty much like this album; everything is designed to show off his voice, and his voice is in fine form here. He's distinctive enough to admire but subtle enough to allow your mind to wander through his songs.
Everybody in your Hotel-room read this review?
CHRIS, grand-grandson of BILLY!
Check it out - I am serious!
Would that I could write music with as much intrinsic value. Oh I could write , but it would be considered a prelude to the mute button.
Andy Bathgate, hockey player.
Ya wavelength near the end, just the fiddle.
The song itself, great stuff.
A waltz tempo yes. However the main progression is in a major key (F# according to the piano on my iPhone). Nice tune.
Nicely done.