Jane Tyrrell — Wild Waters
Album: Echoes in the AviaryAvg rating:
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Total ratings: 910
Length: 3:48
Plays (last 30 days): 0
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You'll never notice out of control is
These wild waters throwing us back
I wanna know you can control it,
Knowing all my will is gone
Are we running ??
Just tryina stick above
You always said don't fight it
We could choose this and rise above
When everything else is spinning round
I got aligned to the center
You always said don't fight it
We could choose this and rise above
When everything else is spinning round
I got aligned to the center
All these decision clouding my visions
These wild waters throwing us back
There's something 'bout this brings out the problems
Coming over this water down
So throw us all back,
We are more than enough to go
You always said don't fight it
We could choose this and rise above
When everything else is spinning round
I got aligned to the center
You always said don't fight it
We could choose this and rise above
And everything else is spinning round
I got aligned to the center
These wild waters throwing us back
I wanna know you can control it,
Knowing all my will is gone
Are we running ??
Just tryina stick above
You always said don't fight it
We could choose this and rise above
When everything else is spinning round
I got aligned to the center
You always said don't fight it
We could choose this and rise above
When everything else is spinning round
I got aligned to the center
All these decision clouding my visions
These wild waters throwing us back
There's something 'bout this brings out the problems
Coming over this water down
So throw us all back,
We are more than enough to go
You always said don't fight it
We could choose this and rise above
When everything else is spinning round
I got aligned to the center
You always said don't fight it
We could choose this and rise above
And everything else is spinning round
I got aligned to the center
Comments (32)add comment
I like it a lot, including the non-standard percussion.
It's funny how, on a self-proclaimed eclectic station in which you have to take the trouble to sign up to comment, there's always a couple of people who complain anytime an artist deviates from norms.
Thank you artists for deviating from the norms. Please continue to experiment.
It's funny how, on a self-proclaimed eclectic station in which you have to take the trouble to sign up to comment, there's always a couple of people who complain anytime an artist deviates from norms.
Thank you artists for deviating from the norms. Please continue to experiment.
jhorton wrote:
I saw a live performance of her doing this song, which was basically just her on layered vocals, a guy on guitar, & another on keyboards, with a bunch of other stuff already canned (much like London Grammar). I'd much prefer to see this with a 10+ piece band, with 2-3 legitimate percussionists & maybe some strings, but you have to think that she put this together with whatever limited resources that she had and she couldn't spring for high-quality production values.
Like her a lot.The funny thing about this track is how good the vocals are, and how BAD the rest of it is. Cheesy percussion and the mix sounds like it was done on a laptop in a public restroom.
I saw a live performance of her doing this song, which was basically just her on layered vocals, a guy on guitar, & another on keyboards, with a bunch of other stuff already canned (much like London Grammar). I'd much prefer to see this with a 10+ piece band, with 2-3 legitimate percussionists & maybe some strings, but you have to think that she put this together with whatever limited resources that she had and she couldn't spring for high-quality production values.
maboleth wrote:
Homage to The Smiths. But, I like the way this sounds. Rhythm is exactly as it should be.
Yeah. And without it, this song would be just another ballad. Now it's awesome.
Homage to The Smiths. But, I like the way this sounds. Rhythm is exactly as it should be.
Yeah. And without it, this song would be just another ballad. Now it's awesome.
ExploitingChaos wrote:
Hang the DJ
Homage to The Smiths. But, I like the way this sounds. Rhythm is exactly as it should be.
Hang the DJ
Homage to The Smiths. But, I like the way this sounds. Rhythm is exactly as it should be.
petesoper wrote:
Hang the DJ
Kill the percussionist.
Hang the DJ
Damn I had to look twice to see if this was London Grammar. Now I wonder if London Grammar was a fan of Jane.
yeah I hear the flagpole. The flag is down... because they're popping popcorn
Shaken_Bake wrote:
Sounds like a rope slapping on a flag pole in a breeze
Sounds like there are either gunshots or construction noise in the background!
Sounds like a rope slapping on a flag pole in a breeze
passsion8 wrote:
Yes, does have that structure. Good catch. Different delivery vocally.
Or ... The Weeknd in parts ...
Yes, does have that structure. Good catch. Different delivery vocally.
Or ... The Weeknd in parts ...
Felix_The_Cat wrote:
Yes, does have that structure. Good catch. Different delivery vocally.
London Grammar calling
Yes, does have that structure. Good catch. Different delivery vocally.
cedrozor wrote:
I love the original cover
Fixed! 
I love the original cover
Fixed!
Kill the percussionist.
The piano chord progression is the same as The Cure's "The Forest". There is no copyright in chord progression in music of course - I'm just mentioning for others to see if you can hear it too?
Like her a lot.The funny thing about this track is how good the vocals are, and how BAD the rest of it is. Cheesy percussion and the mix sounds like it was done on a laptop in a public restroom.
London Grammar calling
hempmandan wrote:
I had the same reaction when I hit PSD
This song just got better real quick!
I had the same reaction when I hit PSD
LaurieinTucson wrote:
There are some multi-tracked harmonies and deep reverb, but it doesn't sound like there's any auto-tune or pitch correction/modulation in there, but even if there is, as you said, you might as well "play with it".
If you're going to use Autotune, go for it. Make it part of the piece. Play with it.
There are some multi-tracked harmonies and deep reverb, but it doesn't sound like there's any auto-tune or pitch correction/modulation in there, but even if there is, as you said, you might as well "play with it".
If you're going to use Autotune, go for it. Make it part of the piece. Play with it.
DavidFromHouston wrote:
Good call.
Nice and atmospheric. Reminds me of Sade.
Good call.
Sounds like there are either gunshots or construction noise in the background!
or maybe Ninet Tayeb colt4x5 wrote:
Sort of Sarah McLachlan meets Sade.
Sort of Sarah McLachlan meets Sade.
hempmandan wrote:
Is that two-face in the photo?
This song just got better real quick!
Is that two-face in the photo?
This song just got better real quick!
DavidFromHouston wrote:
Sort of Sarah McLachlan meets Sade.
Nice and atmospheric. Reminds me of Sade.
Sort of Sarah McLachlan meets Sade.
Quite likeable indeed
Kind of annoying, whats with all the scratchy stuff?
ScottFromWyoming wrote:
"There was Dallas, from Phoenix; Cleveland - he was from Detroit; and Tex... well, I don't remember where Tex come from."
"There was Dallas, from Phoenix; Cleveland - he was from Detroit; and Tex... well, I don't remember where Tex come from."
Nice and atmospheric. Reminds me of Sade.
Interested. Could stand to hear again.
You'll never notice
Out of control its
These wild waters
Throwing us about
I wanna know if
You can control it
Knowing all my will is gone
Are we running the motor cold
Just trying to stay afloat
You always said don't fight it
I could use it and rise above
When everything else is spinning out
I got a line to the centre
You always said don't fight it
We could choose this and rise above
When everything else is spinning out
I got a line to the centre
Foolish decisions
Clouding my vision
These wild waters
Throwing us about
But something about this
Brings out your finest
Calming all this water down
So throw at us all you got
We've weathered enough to cope
You always said don't fight it
We could choose this and rise above
When everything else is spinning out
I got a line to the centre
You always said don't fight it
We could choose this and rise above
When everything else is spinning out
I got a line to the centre
You always said don't fight it
We could choose this and rise above
When everything else is spinning out
I got a line to the centre
You always said don't fight it
We could choose this and rise above
When everything else is spinning out
I got a line to the centre